Both that playwright and this rapper invite us into noisy conversations between eclectic characters debating personal triumphs and social failures, black love and white hate, all under the looming shadow of America. ![]() To Pimp a Butterfly doesn't remind me of other contemporary hip-hop albums so much as the musicals of Melvin Van Peebles. Their collaboration creates songs-within-songs that hold multitudes, from updated P-Funk romps ("King Kunta") to coffee-shop poetry slams ("For Free?") to tete-a-tetes with ghosts ("Mortal Man"). Backing the rapper is a young cohort of L.A.'s best beat makers and musicians, including Digi+Phonics, Terrace Martin and Thundercat. Like Lamar's native Los Angeles, To Pimp a Butterfly feels both dense and sprawling with its panoply of ideas, styles and sounds.
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